Large Ensemble

Countercurrents (2026) [6'], for orchestra

Harlequinade (2025) [5'30"], for orchestra

Chamber

Apparition (2026) [7'], for flute, violin, and piano

Passepied (2026) [5'], for double bass and piano

Divertimento (2025) [5'30"], for wind quintet

Catharsis (2025) [3'], for piano 4-hands

Slumbering Woods (2025) [8'], for viola sextet

Morphéus (2024) [12'], for English horn and string sextet

Noturno (2024) [4'30"], for clarinet, viola, and two violoncellos

Scherzo Dymanique (2024) [4'], for clarinet, bass clarinet, bassoon, violin, and viola, or for clarinet ensemble

Three Impressions (2024) [7'], for oboe and piano

Two Night Pieces (2022) [7'], for violin or viola or English horn/oboe and piano

Vocal

Art Songs

Poem (2026) [3'], for tenor and piano

No Time (2026) [3'], for high voice and piano

A Red Stamp (2025) [2'], for medium voice and piano

Greyday (2025) [2'], for medium voice and piano

Fog (2025) [2'30"], for high voice and piano

Night (2025) [3'], for soprano and piano

"Hope" is the thing with feathers (2022, rev. 2026) [2'30"], for medium voice and piano

Song Cycles

Eight Haiku (2026) [5'], for unaccompanied voice

Epitaph (2025) [15'], for mezzo-soprano and piano

The Little Book of Pride (2025) [10'], for mezzo-soprano, double bass, and piano

Three Dickinson Poems (2025) [17'], for soprano and mixed ensemble

Choral

Evensong (2025) [5'], for SATB choir and organ

Solo

Eight Haiku (2026) [5'], for unaccompanied voice

Encore! (2025) [2'], for piano

Paraphrase on Themes of Haydn (2025) [3'], for piano

Water Lilies (2024) [7'], for piano

Hommage à Kodály (2024) [9'], for unaccompanied violoncello

Elegy (2022, rev. 2024), for piano